Wednesday, March 11, 2026

LIVE, LEARN, & LOVE Series #18. To Live (film, 1994)

LIVE, LEARN, & LOVE

Do you take delight in watching films or listening to pop music? For English learners, movies, songs, and books are one of the most wonderful sources to explore the language! You can indulge in your favorite pastime and still learn some expressions, words of wisdom, and oftentimes good lessons while you’re at it.

 

#18. To Live (活着/ Huózhe) (film, 1994)



“Town Chief: You participated in the revolution.

Xu Fugui: I just dragged a cannon and sang opera.

Town Chief: That's taking part.”

ð  This conversation highlights that during the early Communist period, survival often required individuals to align themselves with the prevailing political ideology. By acknowledging that he “participated,” Fugui validates his identity as a loyal citizen, which helps shield him and his family from being labeled as political enemies.

 

It illustrates how ordinary individuals were swept up in large-scale political movements, such as the revolution, and had their lives reshaped by forces beyond their control. Ironically enough, although Fugui was compelled to perform for the army, doing so earned him a “certificate” that functioned as a form of protection. This document later in the film contributes to his survival, despite the fact that he never truly supported the cause.  

 

“Xu Fugui: Are you sure we're just townsfolk?

Xu Jiazhen: Of course. Poor townspeople.

Xu Fugui: It's good to be poor. Nothing like it.”

ð  Fugui and Jiazhen have come to understand that being ordinary and poor allows them to remain unnoticed during the violent political turmoil and purges of the time. People with wealth or former social status were frequently targeted and killed during the revolution, whereas the poor were generally overlooked and sometimes even favored by the new government.

 

After losing his wealth, home, and previous posh lifestyle, Fugui transforms from a reckless and privileged man—once made extremely rich through gambling—into someone modest and diligent. When he says, “It’s good to be poor,” he is ironically recognizing that his lack of wealth has protected him from the political upheavals that destroyed others, such as Long Er, who later occupies his house and is eventually executed.

 

Through this line, the director reflects the idea that during periods of intense political instability, having little but staying alive is better than possessing everything and facing death. Fugui and Jiazhen accept their simple status in order to avoid the dangers that come with visibility and power. The conversation also reveals a paradox in which the very hardships that caused them to lose their wealth ultimately ensured their survival. What once seemed like devastating loss later becomes the reason they endure, turning a life full of suffering into the one defined by perseverance.



 

**Jean’s Small Thoughts:

In Buddhism, human life is often described as containing 108 afflictions and illusions, or as existing within a vast sea of suffering. This idea suggests that once we are born into the world, we inevitably face many kinds of hardships and challenges. In this Zhang Yimou’s film “To Live”, the audience follows the turbulent journey of a couple whose lives shift repeatedly between prosperity and poverty, extravagance and frugality, frustration and gratitude.

 

As someone who tends to worry constantly—often imagining both major and minor problems that might take place—I try to ask myself during anxious moments, “Will worrying actually help?” Many of the overwhelming difficulties we encounter in life eventually reveal themselves as hidden blessings in disguise. When you find yourself trapped in a quagmire of misfortune, perhaps it is worth creating your own guiding mantra to help you look forward to a brighter tomorrow.

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LIVE, LEARN, & LOVE Series #18. To Live (film, 1994)

LIVE, LEARN, & LOVE Do you take delight in watching films or listening to pop music? For English learners, movies, songs, and books ar...