Monday, October 12, 2026

Time to play the latest NPR Puzzle! Find the name of well-known colleges in the States!



Change one letter in each word or name a well-known college or university.

Ex. CROWN --> BROWN

 

1. PURSUE

2. YULE

3. SMITE

4. BUTTER

5. CORNEAL

6. BRANDERS

7. COLLATE

8. RICH

9. DUNE

10. VENISON

11. WAVIER

12. COWARD

13. DRAPE

14. ACCIDENTAL

 

Answer Keys

1.  S => D: Purdue

2.  U => A: Yale

3.  E => H: Smith

4.  T => L: Butler

5.  A => L: Cornell

6.  R => I: Brandeis

7.  L => C: Colgate

8.  H =>E: Rice

9.  N => K: Duke

10.      V => D: Denison

11.      W => X: Xavier

12.      C => H: Howard

13.      P => K: Drake

14.      A => O: Occidental

Friday, October 9, 2026

LIVE, LEARN, & LOVE SERIES #110. American Hagwon (novel authored by Lee, Minjin, 2026)

Do you take delight in watching films, listening to pop music, or reading books? For English learners, movies, songs, and books are one of the most wonderful sources to explore the language! You can indulge in your favorite

wisdom, and oftentimes good lessons while you’re at it.

 


#110. American Hagwon (novel authored by Minjin Lee)

This novel unfolds as an epic journey of a Korean family—Helen and John Koh and their three children, Bo, DH, and Mido—whose once-comfortable middle-class life is shattered by betrayal and economic turmoil. When John’s business partner, Shin, betrays him and the 1997 Asian financial crisis strikes, the family is forced to leave Korea, seeking a fresh start in Australia before eventually settling in Southern California. Yet, in a foreign land, their former status and financial security gradually slip away, pushing them down the steep slope of social and economic hardship.

In the midst of uncertainty and the struggle to rebuild their lives, the family clings to one enduring hope: education. Believing that academic achievement could secure a brighter future for their children, they turn to hagwons—South Korea’s private tutoring academies and a familiar part of many Korean immigrant communities.

 


“Throughout her childhood, Mido’s teachers had asked Helen to come in to discuss her daughter’s excessively quiet manner. At her preschool in Paramus, and in the first years of school in Seoul, Mido barely spoke with the other children and was left out of friendships. At her primary school in Sydney, the teachers had hinted at learning issues, despite her high marks. They’d encouraged her to talk more in class, advocate for herself, and work better in groups.”

ð     Mido’s educational journey across Paramus, Seoul, and Sydney reveals a quiet but profound cultural conflict over what it means to be a successful student. In many Western classrooms, active participation, self-expression, and collaboration are encouraged as signs of engagement and healthy development. In contrast, some East Asian educational traditions place greater value on attentive listening, restraint, and quiet concentration. Caught between these differing expectations, Mido’s silence is repeatedly misunderstood—not as a natural expression of her personality, but as a problem (i.e., lack of social relationship) that needs to be corrected. Through their experience, the novel illuminates the invisible emotional labor immigrant families endure as they struggle to adapt, belong, and protect their children’s sense of self.

 

“Natives would correct her when she made a mistake and smile like they’d won something, as if to say, You might have lived somewhere else but you’re not so special. Some of them felt left behind and disadvantaged by those who had lived elsewhere, when in reality, Helen felt lost herself.”

ð    This scene captures the psychological and cultural tension of returning home after years abroad. Through Helen’s experience, the novel reveals how language can become a subtle battleground for belonging, exposing the insecurities, resentment, and mutual misunderstandings that divide those who left from those who stayed.

When local people correct Helen’s mistakes and smile as though they have won a small victory, their reactions suggest more than a concern for grammatical accuracy. Language becomes a way to reclaim social superiority and remind Helen that she no longer fits comfortably into the world she once called home. Their satisfaction exposes the painful possibility that even familiar words can become tools of exclusion.

Beneath their reactions lies another layer of insecurity. Some may perceive Helen’s overseas experience as a source of privilege, cultural sophistication, or social advantage. Feeling left behind, they may resent what they imagine she has gained abroad. Correcting her language becomes a way to challenge her perceived superiority and restore a sense of equality.

 

(Helen’s older sister Sonya said): “Who cares what it costs? You have to pay whatever they ask. Your kids are behind. I know you might send the children to America for school, but you might also be sending them to college here, and these school grades matter when they apply. How in the world will they catch up without hagwons? You just got that job at Lotte. Even if you have to borrow the money, you have to get them a spot.”  

ð     Sonya’s insistence that Helen pay whatever is necessary, even if she must borrow money, exposes a culture in which private tutoring is often perceived not as a luxury but as a necessity in Korean society. The pursuit of educational success can become so consuming that families risk their own financial stability, treating parental sacrifice as the price of their children’s future.

Having lived abroad, Helen’s children face the challenge of adjusting to South Korea’s demanding and unfamiliar academic environment. Sonya’s warning that they are already behind reflects the anxiety surrounding a competitive education system in which keeping pace can feel impossible without supplementary tutoring. The hagwon becomes more than a classroom; it represents a desperate attempt to close the gap before it grows too wide.


“Tom would answer with Oscar Wilde, who was up there with Mark Twain for a snappy retort: “Life is never fair, and perhaps it is a good thing for most of us that it is not.”

ð    Oscar Wilde’s witty observation offers a cynical yet humbling perspective on life’s unfairness in this novel. Rather than simply condemning an unjust system, the quote reminds us that perfect justice might not always work in our favor, given our own flaws and shortcomings. It encourages us to approach life with humility, recognizing that we may sometimes benefit from the very imperfections we criticize. Ultimately, we can reflect on the delicate balance between justice and mercy, reminding us that life’s imperfections can sometimes be more forgiving than perfect fairness, only if we could view our weaknesses and flaws just the way they are.

 


** Jean’s Small Thoughts:

As a Korean American immigrant living in the United States, I found this story painfully realistic and uncomfortably intimate. At times, reading it felt like standing before a mirror that revealed something I had long preferred not to examine—a hidden contradiction between my good intentions and the consequences of pursuing what I believed to be a worthy cause.

My personal history may explain why this novel struck such a deeply personal chord. I grew up and received my education in some of South Korea’s most competitive school districts. Later, I began my professional career as an English as a Foreign Language (EFL) teacher at a private hagwon for elementary school children in Gangnam, Seoul, one of the city’s most prominent centers of private education. Having lived through that educational culture myself, I found the characters, settings, and circumstances in the novel remarkably convincing. At times, I could hardly believe I was reading fiction. Even more striking was the story’s timeline, from 1992 to 2007, which closely overlaps with my own years in the United States, apart from a two-year stay in Korea from 2006 to 2008.

I still remember my early days as a hagwon teacher. Although I knew that many children had little interest in attending after-school English classes, I did my best to persuade their parents of the benefits of early language education. I believed—or perhaps desperately wanted to believe—that teaching English to these young learners was my calling and that I was helping prepare them for a brighter future.

Yet the reality inside the classroom often told a different story. I can still picture the children’s vacant eyes and hear their constant yawning as boredom settled over the room. Between the teacher who was trying her best to teach and the children who were expected to learn, there seemed to be an invisible wall that neither side could cross. The genuine joy of learning and teaching remained frustratingly out of reach.

Looking back, I sometimes wonder whether my good intentions were enough. Was I truly serving the children’s needs, or was I participating in a system that measured educational success through parental expectations and academic advancement rather than the children’s own curiosity and happiness? It is an uncomfortable question, but perhaps that discomfort is precisely what makes this novel so meaningful.

Through the Koh family’s struggles, I sense that the author is asking us to look beyond the boundaries of our own families. No matter how devoted parents are, how passionately they pursue educational opportunities, or how much they sacrifice for their children, their efforts may fall short of securing their children’s happiness if they remain blind to the well-being of others. A community cannot flourish when every family is concerned only with getting its own children ahead of everyone else.

Wisdom, friendship, and human connection must be part of the foundation upon which we build a better society. Even characters who betray others or manipulate circumstances, such as John’s former friend Shin and Danbi, the femme fatale, seem to operate within their own personal boundaries of morality. This raises another question: Have these characters—and the people around them—ever stopped to consider the deeper purpose of their roles in the world of hagwons?

What about the Korean American hagwon run by Lion Han in the United States? Even if its educational philosophy differs from that of conventional cram schools in Korea, does it genuinely nurture students’ self-esteem, independence, and sense of competence as human beings? Or does it simply reproduce the same relentless competition in a different cultural setting?

As I turned the pages of this sweeping family saga, I found myself caught between hope and despair about the promise of education. I, too, was once a parent who placed enormous faith in education as a pathway to opportunity. Yet beneath that faith lies a question I have increasingly come to ask myself: ‘Can education truly become a bridge to a better life, or does the relentless pursuit of success exact a price that families may not recognize until it is too late?’

Over time, I began to question the unquestioning faith that some Korean parents place in academic achievement. Education is undoubtedly a worthy cause, and giving children the opportunity to learn is one of the most meaningful responsibilities of parenting. But education should never become a weapon with which children are pitted against one another, nor should academic success become a lifelong badge of superiority—a means of taking advantage of those who have been less fortunate or have had fewer opportunities.

Every child deserves the chance to grow, learn, and discover their own potential. The purpose of education should be to expand that possibility, not to narrow a child's worth to grades, school rankings, or future earning power. Perhaps the true measure of an educated person is not how far ahead they can move in the race, but whether they have learned to recognize the humanity of those running beside them.

One of the passages that stayed with me concerns Helen’s encounters with local Koreans who ridicule her mistakes in speaking. Their reactions reveal a painful contradiction in human nature: Why do we sometimes respond to another person’s differences with resentment rather than curiosity, or with judgment rather than understanding? Helen’s experience reminds us that returning to one's native country does not necessarily mean returning to a place where one effortlessly belongs. Years abroad may change a person’s language, habits, perspectives, and sense of identity. Yet those who stayed behind may interpret these differences as signs of arrogance, inadequacy, or disloyalty. What should be an opportunity to reconnect can instead become an uncomfortable contest over who belongs and who has the right to judge.

There is something deeply heartbreaking about this kind of estrangement. A person may return to familiar streets, hear a familiar language, and recognize the customs of home, yet still feel like a stranger among their own people. The distance is no longer measured in miles between countries, but in the invisible barriers created by insecurity, resentment, and prejudice.

Perhaps this is one of the most enduring struggles of the immigrant experience: learning to live between worlds without being entirely accepted by either one. Also, the lesson extends far beyond immigration. We all carry assumptions about people whose experiences differ from our own. We may judge their accents, their silence, their achievements, or their failures without understanding the journeys that brought them there.

Ultimately, this novel has led me to reflect not only on the educational system I once worked within, but also on the values I have carried throughout my own life. I began reading a novel about a Korean immigrant family’s pursuit of the American Dream, but I found myself confronting much larger questions about ambition, morality, belonging, and the meaning of a life well lived.

If education teaches us how to compete but not how to care, what have we truly learned? And if our pursuit of a better future requires us to overlook the struggles of others, can we honestly call that future a better one? Perhaps the greatest lesson of education is not how to rise above others, but how to create a world in which fewer people are left behind.

Monday, October 5, 2026

Time to play the latest NPR SUNDAY PUZZLE on-air challenge!





Today's puzzle is titled "In at the Finish." I'm going to give you clues for two words. Add -IN at the end of the first word to get the second one.

Ex. Bit of smoke / Arctic bird --> PUFF, PUFFIN

 

1. Shopping area / President Van Buren

2. Fancy home beside the sea, maybe / Opposite of a hero

3. Fine powder / Actor Hoffman

4. Terse / Jane who was an original cast member of "S.N.L."

6. Item on a bracelet / Brand of bathroom tissue

7. Bit of ammunition / Short news report

8. Force of gravity on Earth (2 words) / Tchaikovsky opera "Eugene ___"

9. Gillette razor brand / Vehicle in a Duke Ellington jazz standard (2 words)

 

 

Answer Keys

1.  mart, Martin

2.  villa, villain

3.  dust, Dustin

4.  curt, Curtin

5.  Dolph, dolphin

6.  charm, Charmin

7.  bullet, bulletin

8.  one g, Onegin

9.  Atra, a train

LIVE, LEARN, & LOVE SERIES #109. I Swear (film based on the true story, 2025)

Do you take delight in watching films, listening to pop music, or reading books? For English learners, movies, songs, and books are one of the most wonderful sources to explore the language! You can indulge in your favorite

wisdom, and oftentimes good lessons while you’re at it.


 



#109. I Swear (film, 2025)

This movie tells the true story of John Davidson, a Scottish activist whose life with Tourette’s Syndrome began at a time when the condition was little understood. His story was first introduced to the world in the 1989 BBC documentary titled John’s Not Mad, which inspired writer-director Kirk Jones to return to John’s life decades later.

What began as a painful struggle with misunderstanding became a journey of courage, resilience, and advocacy. John transformed his challenges into a powerful voice for others with Tourette’s—and ultimately received recognition from Queen Elizabeth II.

 

(John Davidson said) “The problem is not Tourette's, the problem is that people don't know enough about Tourette's.”

ð     This is one of the most powerful messages in the movie that the hardest part of living with Tourette Syndrome may not be the condition itself, but the misunderstanding and judgment that surround it. As well aware, Tics are involuntary. Even words that may sound offensive or hurtful can be symptoms rather than expressions of a person’s thoughts, intentions, or character. When people do not understand this, they may mistake a neurological condition for bad behavior or deliberate cruelty of that person.

 


“Dottie Achenbach: "We have one rule in this house, and that's if you do anything you can't help, you never ever have to apologize for it."

ð     There is something quietly powerful about Dottie’s words in I Swear: “You don’t have to apologize.” For John, they mean far more than forgiveness. They offer him freedom. Outside those walls, every tic has the potential to draw a stare, a laugh, a judgment or belittling. Every involuntary sound can become another reason to feel ashamed. But in Dottie’s home, something changes. For a moment, John does not have to fight his own body—or explain himself to the world. Her words draw a line between the person and the condition. John is not his tics. He is not the words that escape without permission. And he certainly does not owe the world an apology for something he cannot control.

 

(Dottie Achenbach said): “So what has he actually done?

(Police Constable/ Inspector MacCullen said): “He was carrying a package which he claimed was crack cocaine.”

(Dottie Achenbach said): “And was it crack cocaine?”

(MacCullen said) “No, it was a bag of sugar. But the next time, they'll trust you with the real thing.”

(Dottie Achenbach said): “You can't arrest him for what might happen the next time. Look, he should not be locked up. He cannot help what he says, he has Tourette's syndrome.”

ð     This is the scene where a bag of sugar sits quietly in John’s hands. But in the eyes of a police officer, the words coming from his mouth tell a very different story. In that brief moment, a harmless object becomes suspicious, and an involuntary tic begins to sound like a confession. This is one of the most unsettling moments in the story. A scene where a neurological symptom is mistaken for criminal intent. John says he is carrying crack cocaine, but inside the bag is only sugar. Still, the officer focuses on what John has said—and on what he might do—rather than what he has actually done. 

     Dottie sees what the officer cannot in that John’s words are not his intentions. His tics are not his character. To punish him for something his brain compels him to do is to confuse illness with guilt.


** Jean’s Small Thoughts:

I happened to watch the movie “I Swear” during a long flight to my home country. I was tired and could easily have dozed off, but somehow, I never closed my eyes for even a moment. Perhaps it was because John’s life was impossible to look away from. What could be more exhausting and painful than living with a condition that can suddenly turn an ordinary moment into a spectacle—drawing unwanted stares, whispers, laughter, or judgment from complete strangers?

The film made me think about how difficult it must be to move through the world when your own body can unexpectedly call attention to you, again and again, in ways you cannot control. The condition itself may be painful, but the eyes of others can sometimes make the burden even heavier.

Somehow, somewhere above the clouds, John’s story stayed with me long after the film ended.

Davidson’s heart-wrenching journey of life as a Tic patient reminds us how deeply ignorance can wound—and how powerful understanding can be. Through his struggles, he had been turning pain into advocacy, showing us that education can replace fear with empathy, judgment with compassion, and isolation with acceptance. This was not possible by his own strong will or unconditional sacrifice of his own parents at all. It was possible by crucial people around John – such as his old school friend Murray, his mom Dottie, his step father Chris, and the caretaker Tommy at the local community center - who saw him with incredible patience rather than judgment. Each relationship gives him something different as he slowly learns to trust himself.

Dottie became a source of emotional safety which was not even provided by John’s own parents. She helped John through his anxiety and nervousness, but more importantly, she never treated his Tourette’s as something that made him less worthy. Her acceptance gave John permission to relax, being comfortable in his own skin. Dottie’s husband Chris also became part of John’s social world, offering friendship as he began to come out of his shell. Their presence helped him build confidence and experience ordinary moments of companionship without constantly feeling judged as before.

As for Tommy, he offered John something equally important to live as an adult in his society: opportunity. As the caretaker of the local community center, Tommy gave John his first job and treated him like any other person. He did not make a spectacle of John’s tics or demanded explanations at all. His quiet acceptance helped John experience what it feels like to be trusted and useful.

Together, these relationships show different forms of support—Dottie gives John emotional security, Tommy gives him opportunity, and Chris and Murray give him friendship and belonging. What makes these connections so moving is that none of them require John to become someone different than he is. They meet him where he is, allowing him to discover that acceptance can be the beginning of confidence—and that sometimes, finding the right people can change the way you see yourself. Sometimes compassion is simply creating a place where a person no longer feels the need to say, “I’m sorry.”

In case of John, his life is a quiet portrait of what happens when ignorance turns a medical symptom into suspicion, and suspicion into punishment. Perhaps the most unsettling question that leaves behind is ‘How often do we judge people by what we hear, see, or fear—without stopping to ask what lies beyond their control’. Oftentimes, justice begins with something very simple: learning the difference between what a person chooses to do and what a person cannot help doing.

Friday, October 2, 2026

NPR Sunday Puzzle! Find four-letter words in which the first 2 letters and the same as the last two.

Every answer today is a four-letter word or name in which the first two letters are the same as the last two.

Ex. Just OK --> SO-SO

 



1. Toy on a string

2. Ballerina's skirt

3. Response to a
joke

4. "The Wizard of Oz" dog

5. slang for law enforcement

6. Singer Lady ___

7. Nickname for Rihanna

8. Lead role in "La Bohème"

9. Humdinger

10. Thickheaded person

11. Absurdist art movement of the early 20th century

12. 2017 Pixar film set in Mexico

13. Kind of platter at a Polynesian restaurant

14. Something that's forbidden

15. Best Picture Oscar winner before "Ben-Hur"

 

Answer Keys  

    1.  Yo yo

    2.  Tu tu

    3.  Ha ha

    4.  Toto

    5.  Po-po

    6.  Gaga

    7.  Riri

    8.  Mimi

    9.  Lulu

   10.  Dodo

   11.             Dada

   12.             Coco

   13. Pupu

   14.  No-no

   15. Gigi

Thursday, October 1, 2026

A piece of poem dedicated to all our loved ones who seem far away from reality

During my recent visit to my auntie at her assisted living home, I found myself standing quietly at the edge of a world I could no longer fully enter. She seemed to be living somewhere between yesterday and today, in a place where memories drift like distant shadows.

More and more of our loved ones—parents, grandparents, aunties, uncles, and friends—are slowly losing their sense of time, their familiar paths, and sometimes even the people they once knew by heart. It is heartbreaking to reach for someone we love and feel an invisible wall between us.

Still, we hold on to a small, tender hope: that somewhere deep inside, a part of us remains.

Today, I’d like to share a little poem dedicated to seniors everywhere, whose thoughts and memories are slipping away like handfuls of sand through their fingers—quietly, gently, one grain at a time.


Time with Your Loved Ones Who Got Lost in Time

By Jean J. Lee

 

It is like a game of lost and found.

I say something, and they forget it right away.

I pick it up, but they stay spellbound.

I remind them of it, but their mind seems to keep it at bay.

 

I quietly wipe my tears, being around.

Their smile makes me pray.

When I find my patience gradually drowned,

My loved ones help me gently call the game a day.

 

If only we could make happy moments for them to surround,

There’ll be no worries that come into play.

Continuing to chase my loved one’s thoughts like a hound,

I hold on to another hopeful day.

 


 


 

Friday, September 11, 2026

LIVE, LEARN, & LOVE SERIES #108. Forgotten Love (film, 2023)

Do you take delight in watching films, listening to pop music, or reading books? For English learners, movies, songs, and books are one of the most wonderful sources to explore the language! You can indulge in your favorite pastime and still learn some expressions, words of wisdom, and oftentimes good lessons while you’re at it.

 



#108. Forgotten Love (film, 2023)

The background of this film is around 1920s or 30s in Europe. A brilliant surgeon and respected professor named Rafal Wilczur loses the two things that once defined him—his beloved family and his memory. Wandering through life as a stranger to his own past, he is given an unexpected chance to rediscover what was lost. When someone from his forgotten life reappears, long-buried truths begin to surface, leading him toward the possibility of love, identity, and redemption.

 



(Antoni Kosiba / Dr. Rafal Wilczur said):

“I don’t remember what I’m looking for.”

ð  When Professor Rafał Wilczur—now wandering the countryside as the amnesiac Antoni Kosiba—quietly says, “I don’t remember what I’m looking for,” the words echo far beyond the pain of amnesia. They reveal a deeper, almost invisible longing for a life his conscious mind can no longer remember. He has lost his name, his family, his profession, and the memories that once defined him. Yet something deep inside of him refuses to disappear. His remarkable instinct for healing remains, as does his compassion for others. Though he cannot name what he has lost, he seems to be drawn toward it—as if the heart knows a destination that the mind has forgotten.

 



(Leszek’s mother said to Marysia, giving her money):

“I thought so. The heart says one thing, but reason disagrees. In this life, you see the winner is usually reason.”

ð  This is one of the most poignant moments in this film when Leszek’s mother, the countess, confronts Marysia with an offer of money and a painful choice. Her words reveal the cruel battle between the heart that loves and the reason that obeys society. For the Countess, the heart may speak of love, but reason must eventually prevail. She sees their relationship through the rigid lens of class, status, family honor, and social expectations. To her, love cannot erase the invisible boundaries that separate them. By offering Marysia money, she tries to turn those social rules into an ultimatum - “give up love now, before it costs you everything.

 



(Marysia said to the countess, Leszek’s mother, rejecting the money):

“Leszek loves me. Otherwise, you wouldn’t offer me this money.”

ð     Marysia’s response to the Countess is quiet yet powerful. Faced with money meant to make her disappear from Leszek’s life, she does not see an insult alone—she sees something more revealing: the Countess would not be trying to buy her silence if Leszek’s love were not real.

In that moment, Marysia’s confidence becomes her strength. She refuses to let wealth, aristocratic status, or social prejudice determine the value of her love. The money that was meant to diminish her becomes, ironically, proof that she matters—that her relationship with Leszek is serious enough to threaten the boundaries of his privileged world. Her refusal is therefore more than a rejection of money. It is a quiet declaration of self-respect: some things cannot be bought, and genuine love cannot be measured by the distance between two social classes.

 

 



(Baron Krzeszowski said): “Loving is one thing. But causing a scandal that way is another.”

ð     Through this line, the rigid social hierarchy in those days are revealed. In the aristocratic world of the 1920s and 1930s, love might be tolerated as a private indiscretion—but crossing the invisible boundary of class in public is considered unforgivable.

For Baron Krzeszowski and the aristocratic family, the real offense is not loving Marysia. It is being seen loving her. A relationship with a poor country girl threatens the family’s reputation, status, and carefully constructed image of superiority. Social approval matters more than human affection. They can forgive their own private transgressions while condemning someone who dares to love outside the boundaries society has prescribed. Leszek’s love for Marysia therefore becomes more than a romance. It becomes an act of defiance against a world where a person’s worth is judged by birth rather than by the content of the heart.

 

** Jean’s Small Thoughts:

We may lose our memories, our identities, and even our sense of where we belong, yet something deep within us may continue to remember. Rafał’s journey raises a haunting question: Can love survive when memory is gone? Can the heart remember what the mind has forgotten? Though he cannot recall the life, family, and identity he once had, something within him continues to search—as if an invisible thread is quietly pulling him toward home.

Perhaps this is what makes the film more than a story about amnesia or lost love. At its heart lies an old and painful question that continues to follow us: How much of our lives is shaped by who we truly are, and how much by the labels society places upon us? As long as people are judged and classified by wealth, birth, social position, or status, the conflict between the heart and the head will remain. We may feel one thing deeply, yet reason—or the expectations of society—may tell us that what we feel is irrational, foolish, or simply impossible.

This conflict becomes especially poignant in the countess’ certainty that reason will always prevail. Perhaps, within the rigid world she knows, it does. But what if the heart has its own kind of reason—one that cannot be measured by wealth, status, reputation, or social approval? Marysia’s refusal to be bought reveals something the countess cannot understand: love does not become less real simply because society considers it inappropriate.

In the end, Marysia walks away with something far more valuable than the money offered to her—the certainty that Leszek’s love has already crossed the invisible boundary his family tried to enforce. What society sees as a scandal, she sees as something deeply human.

And perhaps that is the question the film quietly leaves with us: What is truly more scandalous—the love that crosses a social boundary, or the prejudice that created that boundary in the first place?

Time to play the latest NPR Puzzle! Find the name of well-known colleges in the States!

Change one letter in each word or name a well-known college or university. Ex. CROWN --> BROWN   1. PURSUE 2. YULE 3. SMITE 4...