Monday, October 5, 2026

LIVE, LEARN, & LOVE SERIES #109. I Swear (film based on the true story, 2025)

Do you take delight in watching films, listening to pop music, or reading books? For English learners, movies, songs, and books are one of the most wonderful sources to explore the language! You can indulge in your favorite

wisdom, and oftentimes good lessons while you’re at it.


 



#109. I Swear (film, 2025)

This movie tells the true story of John Davidson, a Scottish activist whose life with Tourette’s Syndrome began at a time when the condition was little understood. His story was first introduced to the world in the 1989 BBC documentary titled John’s Not Mad, which inspired writer-director Kirk Jones to return to John’s life decades later.

What began as a painful struggle with misunderstanding became a journey of courage, resilience, and advocacy. John transformed his challenges into a powerful voice for others with Tourette’s—and ultimately received recognition from Queen Elizabeth II.

 

(John Davidson said) “The problem is not Tourette's, the problem is that people don't know enough about Tourette's.”

ð     This is one of the most powerful messages in the movie that the hardest part of living with Tourette Syndrome may not be the condition itself, but the misunderstanding and judgment that surround it. As well aware, Tics are involuntary. Even words that may sound offensive or hurtful can be symptoms rather than expressions of a person’s thoughts, intentions, or character. When people do not understand this, they may mistake a neurological condition for bad behavior or deliberate cruelty of that person.

 


“Dottie Achenbach: "We have one rule in this house, and that's if you do anything you can't help, you never ever have to apologize for it."

ð     There is something quietly powerful about Dottie’s words in I Swear: “You don’t have to apologize.” For John, they mean far more than forgiveness. They offer him freedom. Outside those walls, every tic has the potential to draw a stare, a laugh, a judgment or belittling. Every involuntary sound can become another reason to feel ashamed. But in Dottie’s home, something changes. For a moment, John does not have to fight his own body—or explain himself to the world. Her words draw a line between the person and the condition. John is not his tics. He is not the words that escape without permission. And he certainly does not owe the world an apology for something he cannot control.

 

(Dottie Achenbach said): “So what has he actually done?

(Police Constable/ Inspector MacCullen said): “He was carrying a package which he claimed was crack cocaine.”

(Dottie Achenbach said): “And was it crack cocaine?”

(MacCullen said) “No, it was a bag of sugar. But the next time, they'll trust you with the real thing.”

(Dottie Achenbach said): “You can't arrest him for what might happen the next time. Look, he should not be locked up. He cannot help what he says, he has Tourette's syndrome.”

ð     This is the scene where a bag of sugar sits quietly in John’s hands. But in the eyes of a police officer, the words coming from his mouth tell a very different story. In that brief moment, a harmless object becomes suspicious, and an involuntary tic begins to sound like a confession. This is one of the most unsettling moments in the story. A scene where a neurological symptom is mistaken for criminal intent. John says he is carrying crack cocaine, but inside the bag is only sugar. Still, the officer focuses on what John has said—and on what he might do—rather than what he has actually done. 

     Dottie sees what the officer cannot in that John’s words are not his intentions. His tics are not his character. To punish him for something his brain compels him to do is to confuse illness with guilt.


** Jean’s Small Thoughts:

I happened to watch the movie “I Swear” during a long flight to my home country. I was tired and could easily have dozed off, but somehow, I never closed my eyes for even a moment. Perhaps it was because John’s life was impossible to look away from. What could be more exhausting and painful than living with a condition that can suddenly turn an ordinary moment into a spectacle—drawing unwanted stares, whispers, laughter, or judgment from complete strangers?

The film made me think about how difficult it must be to move through the world when your own body can unexpectedly call attention to you, again and again, in ways you cannot control. The condition itself may be painful, but the eyes of others can sometimes make the burden even heavier.

Somehow, somewhere above the clouds, John’s story stayed with me long after the film ended.

Davidson’s heart-wrenching journey of life as a Tic patient reminds us how deeply ignorance can wound—and how powerful understanding can be. Through his struggles, he had been turning pain into advocacy, showing us that education can replace fear with empathy, judgment with compassion, and isolation with acceptance. This was not possible by his own strong will or unconditional sacrifice of his own parents at all. It was possible by crucial people around John – such as his old school friend Murray, his mom Dottie, his step father Chris, and the caretaker Tommy at the local community center - who saw him with incredible patience rather than judgment. Each relationship gives him something different as he slowly learns to trust himself.

Dottie became a source of emotional safety which was not even provided by John’s own parents. She helped John through his anxiety and nervousness, but more importantly, she never treated his Tourette’s as something that made him less worthy. Her acceptance gave John permission to relax, being comfortable in his own skin. Dottie’s husband Chris also became part of John’s social world, offering friendship as he began to come out of his shell. Their presence helped him build confidence and experience ordinary moments of companionship without constantly feeling judged as before.

As for Tommy, he offered John something equally important to live as an adult in his society: opportunity. As the caretaker of the local community center, Tommy gave John his first job and treated him like any other person. He did not make a spectacle of John’s tics or demanded explanations at all. His quiet acceptance helped John experience what it feels like to be trusted and useful.

Together, these relationships show different forms of support—Dottie gives John emotional security, Tommy gives him opportunity, and Chris and Murray give him friendship and belonging. What makes these connections so moving is that none of them require John to become someone different than he is. They meet him where he is, allowing him to discover that acceptance can be the beginning of confidence—and that sometimes, finding the right people can change the way you see yourself. Sometimes compassion is simply creating a place where a person no longer feels the need to say, “I’m sorry.”

In case of John, his life is a quiet portrait of what happens when ignorance turns a medical symptom into suspicion, and suspicion into punishment. Perhaps the most unsettling question that leaves behind is ‘How often do we judge people by what we hear, see, or fear—without stopping to ask what lies beyond their control’. Oftentimes, justice begins with something very simple: learning the difference between what a person chooses to do and what a person cannot help doing.

Friday, October 2, 2026

NPR Sunday Puzzle! Find four-letter words in which the first 2 letters and the same as the last two.

Every answer today is a four-letter word or name in which the first two letters are the same as the last two.

Ex. Just OK --> SO-SO

 



1. Toy on a string

2. Ballerina's skirt

3. Response to a
joke

4. "The Wizard of Oz" dog

5. slang for law enforcement

6. Singer Lady ___

7. Nickname for Rihanna

8. Lead role in "La Bohème"

9. Humdinger

10. Thickheaded person

11. Absurdist art movement of the early 20th century

12. 2017 Pixar film set in Mexico

13. Kind of platter at a Polynesian restaurant

14. Something that's forbidden

15. Best Picture Oscar winner before "Ben-Hur"

 

Answer Keys  

    1.  Yo yo

    2.  Tu tu

    3.  Ha ha

    4.  Toto

    5.  Po-po

    6.  Gaga

    7.  Riri

    8.  Mimi

    9.  Lulu

   10.  Dodo

   11.             Dada

   12.             Coco

   13. Pupu

   14.  No-no

   15. Gigi

Thursday, October 1, 2026

A piece of poem dedicated to all our loved ones who seem far away from reality

During my recent visit to my auntie at her assisted living home, I found myself standing quietly at the edge of a world I could no longer fully enter. She seemed to be living somewhere between yesterday and today, in a place where memories drift like distant shadows.

More and more of our loved ones—parents, grandparents, aunties, uncles, and friends—are slowly losing their sense of time, their familiar paths, and sometimes even the people they once knew by heart. It is heartbreaking to reach for someone we love and feel an invisible wall between us.

Still, we hold on to a small, tender hope: that somewhere deep inside, a part of us remains.

Today, I’d like to share a little poem dedicated to seniors everywhere, whose thoughts and memories are slipping away like handfuls of sand through their fingers—quietly, gently, one grain at a time.


Time with Your Loved Ones Who Got Lost in Time

By Jean J. Lee

 

It is like a game of lost and found.

I say something, and they forget it right away.

I pick it up, but they stay spellbound.

I remind them of it, but their mind seems to keep it at bay.

 

I quietly wipe my tears, being around.

Their smile makes me pray.

When I find my patience gradually drowned,

My loved ones help me gently call the game a day.

 

If only we could make happy moments for them to surround,

There’ll be no worries that come into play.

Continuing to chase my loved one’s thoughts like a hound,

I hold on to another hopeful day.

 


 


 

Friday, September 11, 2026

LIVE, LEARN, & LOVE SERIES #108. Forgotten Love (film, 2023)

Do you take delight in watching films, listening to pop music, or reading books? For English learners, movies, songs, and books are one of the most wonderful sources to explore the language! You can indulge in your favorite pastime and still learn some expressions, words of wisdom, and oftentimes good lessons while you’re at it.

 



#108. Forgotten Love (film, 2023)

The background of this film is around 1920s or 30s in Europe. A brilliant surgeon and respected professor named Rafal Wilczur loses the two things that once defined him—his beloved family and his memory. Wandering through life as a stranger to his own past, he is given an unexpected chance to rediscover what was lost. When someone from his forgotten life reappears, long-buried truths begin to surface, leading him toward the possibility of love, identity, and redemption.

 



(Antoni Kosiba / Dr. Rafal Wilczur said):

“I don’t remember what I’m looking for.”

ð  When Professor Rafał Wilczur—now wandering the countryside as the amnesiac Antoni Kosiba—quietly says, “I don’t remember what I’m looking for,” the words echo far beyond the pain of amnesia. They reveal a deeper, almost invisible longing for a life his conscious mind can no longer remember. He has lost his name, his family, his profession, and the memories that once defined him. Yet something deep inside of him refuses to disappear. His remarkable instinct for healing remains, as does his compassion for others. Though he cannot name what he has lost, he seems to be drawn toward it—as if the heart knows a destination that the mind has forgotten.

 



(Leszek’s mother said to Marysia, giving her money):

“I thought so. The heart says one thing, but reason disagrees. In this life, you see the winner is usually reason.”

ð  This is one of the most poignant moments in this film when Leszek’s mother, the countess, confronts Marysia with an offer of money and a painful choice. Her words reveal the cruel battle between the heart that loves and the reason that obeys society. For the Countess, the heart may speak of love, but reason must eventually prevail. She sees their relationship through the rigid lens of class, status, family honor, and social expectations. To her, love cannot erase the invisible boundaries that separate them. By offering Marysia money, she tries to turn those social rules into an ultimatum - “give up love now, before it costs you everything.

 



(Marysia said to the countess, Leszek’s mother, rejecting the money):

“Leszek loves me. Otherwise, you wouldn’t offer me this money.”

ð     Marysia’s response to the Countess is quiet yet powerful. Faced with money meant to make her disappear from Leszek’s life, she does not see an insult alone—she sees something more revealing: the Countess would not be trying to buy her silence if Leszek’s love were not real.

In that moment, Marysia’s confidence becomes her strength. She refuses to let wealth, aristocratic status, or social prejudice determine the value of her love. The money that was meant to diminish her becomes, ironically, proof that she matters—that her relationship with Leszek is serious enough to threaten the boundaries of his privileged world. Her refusal is therefore more than a rejection of money. It is a quiet declaration of self-respect: some things cannot be bought, and genuine love cannot be measured by the distance between two social classes.

 

 



(Baron Krzeszowski said): “Loving is one thing. But causing a scandal that way is another.”

ð     Through this line, the rigid social hierarchy in those days are revealed. In the aristocratic world of the 1920s and 1930s, love might be tolerated as a private indiscretion—but crossing the invisible boundary of class in public is considered unforgivable.

For Baron Krzeszowski and the aristocratic family, the real offense is not loving Marysia. It is being seen loving her. A relationship with a poor country girl threatens the family’s reputation, status, and carefully constructed image of superiority. Social approval matters more than human affection. They can forgive their own private transgressions while condemning someone who dares to love outside the boundaries society has prescribed. Leszek’s love for Marysia therefore becomes more than a romance. It becomes an act of defiance against a world where a person’s worth is judged by birth rather than by the content of the heart.

 

** Jean’s Small Thoughts:

We may lose our memories, our identities, and even our sense of where we belong, yet something deep within us may continue to remember. Rafał’s journey raises a haunting question: Can love survive when memory is gone? Can the heart remember what the mind has forgotten? Though he cannot recall the life, family, and identity he once had, something within him continues to search—as if an invisible thread is quietly pulling him toward home.

Perhaps this is what makes the film more than a story about amnesia or lost love. At its heart lies an old and painful question that continues to follow us: How much of our lives is shaped by who we truly are, and how much by the labels society places upon us? As long as people are judged and classified by wealth, birth, social position, or status, the conflict between the heart and the head will remain. We may feel one thing deeply, yet reason—or the expectations of society—may tell us that what we feel is irrational, foolish, or simply impossible.

This conflict becomes especially poignant in the countess’ certainty that reason will always prevail. Perhaps, within the rigid world she knows, it does. But what if the heart has its own kind of reason—one that cannot be measured by wealth, status, reputation, or social approval? Marysia’s refusal to be bought reveals something the countess cannot understand: love does not become less real simply because society considers it inappropriate.

In the end, Marysia walks away with something far more valuable than the money offered to her—the certainty that Leszek’s love has already crossed the invisible boundary his family tried to enforce. What society sees as a scandal, she sees as something deeply human.

And perhaps that is the question the film quietly leaves with us: What is truly more scandalous—the love that crosses a social boundary, or the prejudice that created that boundary in the first place?

Wednesday, September 9, 2026

LIVE, LEARN, & LOVE SERIES #107. The Drama (film, 2026)

Do you take delight in watching films, listening to pop music, or reading books? For English learners, movies, songs, and books are one of the most wonderful sources to explore the language! You can indulge in your favorite pastime and still learn some expressions, words of wisdom, and oftentimes good lessons while you’re at it.

 


#107. The Drama (film, 2026)

This story follows a young couple who meet by chance at a café. Charlie falls for Emma, a girl absorbed in her book and unaware of her surroundings because she is deaf in one ear. Their simple “hello” blossoms into love—until the dark secrets they share with close friends before their wedding turn their dream romance into a nightmare.

 

**I’ve chosen just two lines from this movie that, to me, raise some of the deepest—and perhaps hardest—questions we can ask ourselves. They matter because they are not simply about Emma and Charlie; they make us look inward. They challenge us to question how well we truly know the person we love, how honestly we confront our own past, and how willing we are to forgive someone else for theirs.

(Emma’s close friend Rachel – the bride’s maid said) “First love, or your first crush?”

ð     One seemingly innocent question whether someone was a first love or simply a first crush—suddenly opens the door to a much deeper uncertainty in ourselves. As the couple approaches their wedding day, what once felt like a perfect love story begins to look different. Their shared history is no longer simply a collection of romantic memories; it becomes something to be questioned, reexamined, and perhaps even feared. At thirty, realizing that this may be the first truly profound love for both of them carries a strange mixture of wonder and uneasiness. Is it possible that we can meet the person who changes everything only later in life? And if so, how much of our past must we reveal before stepping into a future together?

 



(Charlie said) “It’s just, there’s some drama.”

ð     Perhaps one of the sharpest ironies in this film is how quickly and absurdly a disturbing revelation becomes “drama” in the eyes of the people around Emma. Her friends respond with moral outrage, almost as if they have suddenly appointed themselves judges of her entire character—while quietly minimizing their own troubling behavior. The film exposes the uncomfortable hypocrisy of a world where we can be remarkably forgiving of our own mistakes, yet unforgiving of someone else’s. By reducing a profound moral rupture to gossip, discomfort, and social fallout, we should ask ourselves this question: “When does accountability become condemnation?” Perhaps the real drama is not only what Emma did—or intended to do—but how quickly people decide who deserves forgiveness and who does not.

 



** Jean’s Small Thoughts:

This movie begins like a simple love story born from a chance encounter—but beneath its romantic surface lies a darker question: How well can we ever truly know the person we love? Have you ever questioned your love and trust for the person closest to you—the one you once believed you knew better than anyone?

When hidden truths from the past rise to the surface, trust begins to crack. The couple is forced to confront the blurred lines between intention and action, guilt and forgiveness, judgment and hypocrisy. The film quietly asks whether we should be forever defined by our darkest thoughts and past mistakes, or whether we should be given the chance to grow and change. Sometimes, it takes only one secret to turn a picture-perfect romance into a haunting test of love, trust, and forgiveness.

Perhaps this is what makes the story feel so relevant today. We live in a world where it can feel as though we are constantly being watched—by AI, social media, and the endless stream of gossip and viral news. A single misunderstanding can quickly spiral into misinformation, judgment, and even “cancel culture.” No wonder so many of us feel the need to guard our true selves, afraid of being labeled, stigmatized, or defined forever by an uncomfortable chapter of our past.

But what happens when we bring those hidden parts of ourselves into our most intimate relationship?

Would you be completely honest with your better half about who you were then and who you are now? What if the person you love cannot accept everything about your past? And perhaps even more painfully, what if you are unable to embrace your partner’s imperfect past?

These are not easy questions. Yet they may be among the most intimate questions we face in love: How much truth can love hold? How much forgiveness can trust endure? And can we truly love someone without accepting the complicated history that made them who they are? This film reminds me that love can make us feel certain—until one unexpected truth makes us look back and question everything we thought we knew. One thing is certain. We owe it to ourselves to live our REAL lives—not the distorted versions shaped by other people’s imagination, judgment, and prejudice. Our lives are ours to live, not stories for others to write.



Tuesday, September 8, 2026

LIVE, LEARN, & LOVE SERIES #106: A Gorilla Story - Told by David Attenborough (documentary film, 2026)

Do you take delight in watching films, listening to pop music, or reading books? For English learners, movies, songs, and books are one of the most wonderful sources to explore the language! You can indulge in your favorite pastime and still learn some expressions, words of wisdom, and oftentimes good lessons while you’re at it.

 



#106. A Gorilla Story: Told by David Attenborough (documentary film, 2026)

An English natural historian David Attenborough takes us almost 50 years back (in 1978) to his first encounter with Pablo, a baby gorilla who grew into a powerful silverback in the mountains of Rwanda. His story also follows Pablo’s legacy through the generations of mountain gorillas, offering a moving glimpse into the lives of his descendants.

 

“A silverback is a fully mature, dominant adult male gorilla that leads and protects the family group.”

ð      A silverback is more than the strongest male in the family. He is its compass and guardian—leading the group through the forest, calming conflicts, and standing between his family and dangerous encounters in the mountains. His strength is not simply measured by his size, but by the lives he guides, protects, and carries forward. In this documentary, there are a couple of main silverbacks in the Pablo group that David met and studied: Gichuraci, Ubwuzu, Bethoven, Imfura, and Pablo.

 

“Teta (dominant female leader) must show the group who she supports. She leaves Gichuraci and chooses younger male Ubwuzu. If Teta allows the incoming female member like Inyange, the rest of the group welcomes her.”

ð    In the quiet world of a gorilla family, power is not always won through strength. Sometimes, it is earned through trust, respect, and the subtle bonds that hold a community together. Teta, a calm and influential female plays the role of the group’s matriarch who becomes a quiet force in the group as its leadership begins to change. By shifting her support toward the young male Ubwuzu, she helps the family accept him as its new leader.

Also, when Inyange (another female newcomer) arrives as a stranger, Teta’s acceptance becomes a bridge between the newcomer and the group. One by one, the others follow her lead.

 

“When Pablo turned 18, he showed unconventional move as a leader when he was challenged by rival silverbacks. He took the opportunity to form a powerful alliance with them instead of fighting. By replacing aggression with cooperation between them, they became the biggest group of mountain gorillas ever known.”

ð      Pablo’s rise to leadership tells a different story about power. When he reached maturity, he did not fight his rivals for control. Instead, he chose cooperation, forming an unlikely alliance with other silverbacks. Together, they built a remarkable community—the largest group of mountain gorillas ever recorded. Pablo’s story quietly challenges the old image of the aggressive “King Kong” and reveals something far more profound: true strength may not lie in defeating others, but in knowing how to live and thrive together.

 

“The relationship between humans and gorillas has always been a difficult one. Poaching had pushed the gorilla population to the brink of extinction. There were only around 250 gorillas left in the Virunga Mountains. There might not be any mountain gorillas at all, had it not been for Diane Fossey. She dedicated her life to protecting gorillas by whatever means possible.”

ð     As forests disappeared and poaching threatened their survival, these remarkable mountain gorillas were pushed to the edge of extinction. At one point, only around 250 remained in the Virunga Mountains. But their story did not end there. Dian Fossey’s fierce dedication to protecting them helped give the species a second chance. Her work reminds us that even when human actions bring a species to the brink, courage and compassion can eventually help turn the course of its future.


** Jean’s Small Thoughts:

I found this intimate, up-close documentary about mountain gorillas deeply moving—a haunting reminder of what we can learn from the natural world about how to live, belong, and endure. Although violence is sometimes part of their lives, especially among the adult silverbacks, their story reveals something more profound: family is never perfect, yet it can be the essential force that keeps us together through difficult times.

Watching them, I was reminded that belonging is sometimes granted not by power, but by the simple act of being welcomed.

Here, I’m sharing a short poem I wrote about the Pablo family mountain in this documentary.

 



The Life of the Mountain Gorilla Family

by Jean J. Lee

 

12,000 feet above the Virunga Mountains,

The Pablo group of gorillas wake up in their kingdom.

Moms like Teta and dads like Gichuraci are their captains.

From dawn to dusk, baby gorillas are growing and shaped by their wisdom.

 

Bold and curious, Ubi and Pablo hung around together.

Imfura was old and weak, but he was playful and young at heart.

When Imfura was hurt by another silverback Ubwuzu, he became under the weather.

He didn’t have the power that makes him outsmart.

 

Ubwuzu mated with Inyange and had a charming boy.

When Ubwuzu was distracted by other females who wanted his attention,

He could not watch over his family due to the other females’ gestures so coy.

He despaired to find out about his boy’s death while he lost his tension.

 

It was Imfura that killed Ubwuzu’s boy to avenge.

Ubwuzu and Inyange chased Imfura out of their group.

But they knew there would be no such thing as revenge.

Imfura must have missed the time when he was in the loop.

 

Strangers could become a family

as long as they keep compassion towards one another.

Battles in competition could not take place necessarily

just as Pablo embraced the other silverbacks all together.




Sunday, September 6, 2026

It's Time to Play the Puzzle! Here's the latest Sunday Puzzle aired on NPR on-air challenge!





Today we're going to the spa. Every answer is a familiar two-word, phrase or name in which the first word starts with S and the second word starts PA-.

Ex. Purchase of beer at a grocery --> Six Pack

 

1. Something you install on a roof to generate energy

 

2. Photon, electron, or neutron

 

3. Dish scrubber

 

4. Money you get when you leave a job

 

5. Miscellaneous sheets to jot notes on

 

6. All-male social event

 

7. What's used to put graffiti on a wall

 

8. What you tear open in order to sweeten your coffee

 

9. Figure celebrated on March 17

 

10. Most populous city in Brazil

 

11. Political group that's to the left of the Democrats

 

12. Small bit of facial hair below the lower lip

 

13. Extra items at a repair shop

 

14. Informal term for a know-it-all

 

Answer Keys

    1.  Solar Panel

    2.  Subatomic Particle

    3.  Scouring Pad

    4.  Severance Pay

    5.  Scratch (or Scrap) Paper

    6.  Stag Party

    7.  Spray Paint

    8.  Sugar Pack

    9.  Saint Patrick

   10. São Paulo  

   11. Socialist Party

   12. Soul Patch

13.             Spare Parts

14.             Smarty Pants

LIVE, LEARN, & LOVE SERIES #109. I Swear (film based on the true story, 2025)

Do you take delight in watching films, listening to pop music, or reading books? For English learners, movies, songs, and books are one of t...