LIVE, LEARN, & LOVE SERIES #37. Another Year (film, 2010)
LIVE, LEARN, & LOVE
Do you take delight in watching films,
listening to pop music, or reading books? For English learners, movies, songs,
and books are one of the most wonderful sources to explore the language! You
can indulge in your favorite pastime and still learn some expressions, words of
wisdom, and oftentimes good lessons while you’re at it.
#37. Another Year (film, 2010)
Tom Hepple, a
geologist, and his wife Gerri, a counsellor, are an older couple in London with
a stable and affectionate marriage. The film follows their lives across the
four seasons of a year, as they spend time with family and friends (such as
Mary who is Gerri’s colleague at work and living as a middle-aged divorcee) who,
in contrast, often experience varying levels of discontent and loneliness.
(The opening scene from the movie: Gerri’s counsels an
insomniac patient named Janet at the medical center.)
GERRI: What would you say was the happiest moment of
your life?
PATIENT: What d'you mean?
GERRI: Your nicest memory. Have a think.
……….When
your children were born? …..Your wedding day?
PATIENT: I don't know.
GERRI: Take your time.
PATIENT: I can't remember.
GERRI: Can't, or won't?
Can't
or won't remember?
PATIENT: Don't know what I'm doing here. I don't want
to come. Don't want to talk about my family - why should I? None of your
business. All I need is a good night's sleep, and nobody's helping me.
GERRI: Okay. (She reflects for a moment.) On a scale of
one to ten, how happy would you say you are, Janet?
PATIENT: One.
GERRI: One. (Slight smile.) I think there's room for
improvement
there, don't you? What is the one thing that would
improve your
life apart from sleep?
PATIENT: A different life.
GERRI: A different life. Change is frightening, isn't
it?
PATIENT: Nothing changes.
ð This
scene from the opening of the movie Another Year serves as a thematic
prologue to the film, showcasing a raw, unvarnished portrait of despair that
contrasts with the contentment of the main character Gerri. The conversation implies
the themes of loneliness, the resistance to change, and the futility of
conventional, "by-the-numbers" counseling for deep-rooted and chronic
existential unhappiness of an ordinary individual.
When Gerri asks for a happy memory, her patient Janet cannot produce one, revealing her inability to feel joy or look back positively. Her rating of her life as "one" out of ten on the scale of happiness, combined with her "miserable and expressionless" demeanor, shows a deep depression, rather than just insomnia. Although Janet claims all she needs is sleep, the conversation makes us easily guess that her sleeplessness is a symptom of a much deeper, entrenched dissatisfaction with her life.
Janet is reluctant and defensive, stating she doesn't want to talk about her family and considers it "none of your business". She is not looking for self-reflection but rather a quick fix (e.g., medicine) to keep functioning, rejecting the vulnerability required for counseling.
When asked what would improve her
life, Janet replies "A different life," indicating she feels totally
trapped in her current circumstances and believes nothing she does can change
it. This scene acts as a template for the theme of quiet desperation of people that
runs through the movie.
(Mary, a close friend of Gerri’s and coworker at the
medical center): “I haven't got anybody telling me what to do. I mean, don't
get me wrong..."
ð Although
Mary attempts to describe her life as a kind of liberating independence in
front of her friend Gerri, it actually causes her significant anxiety, as she
longs for a relationship to “rescue” her from loneliness. The phrase “don’t get
me wrong” that follows reveals her unease with her own situation. It suggests
she is trying to persuade both herself and others that she is content, even
though she is deeply unhappy.
Mary, a middle-aged divorcee, puts on an energetic front, yet she is “full of tension” deep down inside of her. She appears to need direction and emotional support, but instead finds herself in a position where she must take responsibility for her own life—something she struggles to manage. There is also a strong sense of irony in her circumstances. Despite claiming independence, she relies heavily on her friends Tom and Gerri for emotional support and companionship, sometimes to an excessive degree. Ultimately, the line suggests that Mary is not truly in control of her own life; instead, she is drifting through it, presenting her isolation as a personal choice rather than confronting it as a painful reality.
(Ken, the friend of Gerri & Tom couple): “Young
people, young people. Everything's for young people. Those bars, you know,
they're full of young people shouting about nothing."
ð Ken
is a family friend to Tom and Gerri couple. He is a middle-aged single man with
strong feelings of isolation, bitterness, and loneliness. He sees himself as
pushed to the margins of society, believing that the world only prioritizes
youth, while he views younger people as superficial, noisy, and lacking
substance (“shouting about nothing”).
It reflects his sense of alienation,
as he feels uncomfortable and out of place in modern social environments like
bars. His comments also suggest resentment, particularly in his belief that
everything is geared toward younger generations. At the same time, he shows
clear disdain for youth culture, dismissing it as empty and meaningless.
Through Ken’s words, we could see aging, contrasting lives that are fulfilling
and connected with those that feel isolated and painfully stuck.
** Jean’s
Small Thoughts:
Like many
others, I have often reflected on human relationships. No matter the
context—whether in the virtual world or in real life—people cannot exist in
complete isolation like a caveman. At times, social media portrays single
individuals as stylish and carefree, making them seem more appealing than
couples whose lives may appear dull or routine. Conversely, for those who feel
lonely, images of happy couples or families can seem like the ultimate ideal.
The film
reveals the raw, unfiltered nature of ordinary people and illustrates how
complex and changeable relationships can be, even among friends who appear
close and understanding. It also carries a sense of sadness, showing how people
often become reluctant to constantly support their lonely friends, especially
when the need arises more often than expected. Some might respond with phrases
like “Such is life.” or “that’s the way the bread falls on the buttered side.”
In the end,
it invites a personal question: what would you say to yourself when you are floundering
in moments of loneliness today? I would say to myself ‘Nobody could be in your
shoes and completely understand your situations all the time. Try to find your
everlasting cheering voice from within and lean on it to cry for a minute or
two.’
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